Burlesque is not the highest order of intellectual performance, but
it is legitimate, and if cleverly done it may be both useful and amusing,
but it is not to be confounded with forgery, that is, with a composition
which the author attempts to pass off as the production of somebody else.
The forgery may be amazingly smart, and be even popular, and get the
author, when he is discovered, notoriety, but it is pretty certain that
with his ingrained lack of integrity he will never accomplish any
original work of value, and he will be always personally suspected. There
is nothing so dangerous to a young writer as to begin with hoaxing; or to
begin with the invention, either as reporter or correspondent, of
statements put forward as facts, which are untrue. This sort of facility
and smartness may get a writer employment, unfortunately for him and the
public, but there is no satisfaction in it to one who desires an
honorable career. It is easy to recall the names of brilliant men whose
fine talents have been eaten away by this habit of unveracity. This habit
is the greatest danger of the newspaper press of the United States.
It is easy to define this sort of untruthfulness, and to study the moral
deterioration it works in personal character, and in the quality of
literary work.
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