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Various

"Punch, or the London Charivari, Volume 159, November 10, 1920"

Nor would any grotesque details in her costume or
physiognomy make the joke appreciably better. It requires no such
assistance; it is rich enough without them; to possess a married
daughter is all that is necessary to cause gusts of joyful mirth.
That it is not the lady herself who is funny could--no matter how
Gothic her figure--be proved in a moment by placing her in the
witness-box and asking her to state her relationship to the prisoner's
wife. She would say, "I am her mother," and nothing would happen. But
if the question were, "What is your relationship to the prisoner?" and
she replied, "I am his mother-in-law," sides would split. Similarly
one can imagine that if the husband's reply to the counsel's question,
"Who was with you?" had been, "My wife was with me," there would have
been no risible reaction whatever; but if the reply had been, "My
wife's mother was with me," the place would have been convulsed. Of
course the true artist in effect would never say, "My wife's mother,"
but "My mother-in-law." It is the "in-law" that is so exquisitely
amusing and irresistible.


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