All the native
population of the town forsook their labors, and those of the surrounding
country journeyed to the city. Then the white folks had to stay indoors,
for every street was so packed with charging cavaliers and cavalieresses
that it was next to impossible to thread one's way through the cavalcades
without getting crippled.
At night they feasted and the girls danced the lascivious hula hula--a
dance that is said to exhibit the very perfection of educated notion of
limb and arm, hand, head and body, and the exactest uniformity of
movement and accuracy of "time." It was performed by a circle of girls
with no raiment on them to speak of, who went through an infinite variety
of motions and figures without prompting, and yet so true was their
"time," and in such perfect concert did they move that when they were
placed in a straight line, hands, arms, bodies, limbs and heads waved,
swayed, gesticulated, bowed, stooped, whirled, squirmed, twisted and
undulated as if they were part and parcel of a single individual; and it
was difficult to believe they were not moved in a body by some exquisite
piece of mechanism.
Of late years, however, Saturday has lost most of its quondam gala
features. This weekly stampede of the natives interfered too much with
labor and the interests of the white folks, and by sticking in a law
here, and preaching a sermon there, and by various other means, they
gradually broke it up. The demoralizing hula hula was forbidden to be
performed, save at night, with closed doors, in presence of few
spectators, and only by permission duly procured from the authorities and
the payment of ten dollars for the same.
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