The resemblance of passages in the _Faerie
Queene_ to others in the _Orlando Furioso_ and the _Jerusalem Delivered_ is
so striking that some have accused the English poet of paraphrasing and
slavishly borrowing from the two Italians. Many of these parallels are
pointed out in the notes. To this criticism, Mr. Saintsbury remarks: "Not,
perhaps, till the _Orlando_ has been carefully read, and read in the
original, is Spenser's real greatness understood. He has often, and
evidently of purpose, challenged comparison; but in every instance it will
be found that his beauties are emphatically his own. He has followed
Ariosto only as Vergil has followed Homer, and much less slavishly."
The influence of the New Learning is clearly evident in Spenser's use of
_classical mythology_. Greek myths are placed side by side with Christian
imagery and legends. Like Dante, the poet did not consider the Hellenic
doctrine of sensuous beauty to be antagonistic to the truths of religion.
There is sometimes an incongruous confusion of classicism and mediaevalism,
as when a magician is seen in the house of Morpheus, and a sorcerer goes to
the realm of Pluto. Spenser was guided by a higher and truer sense of
beauty than the classical purists know.
A very attractive element of his classicism is his _worship of beauty_.
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